Without Model
Nymphs
Studiolo
Art in Mind
Rhythm
Prometheus Wired
Experimenting the Human
Native Land Talk
The National Uncanny
Is the Rectum a Grave?
The Imaginary and Its Worlds
A More Conservative Place
Mood and Trope
Confronting Totalitarian Minds
Other Things
Ghosts of the African Diaspora
A Defense of Judgment
Jokes
Serious Larks
Process and Aesthetics
Tristan’s Shadow
Patina
Aesthetics at Large
Sewn in the Sweatshops of Marx
Dissemination
Thinking Out of Sight
The Truth in Painting
Movements of Air
Shiny Things
The Origins of Cool in Postwar America
Like Andy Warhol
Deep Refrains
The Musician as Philosopher
Mindprints
Richard Wagner
Health and Illness
A Precarious Happiness
The Value of Critique
Architecture, Means and Ends
Shreds of Matter
The Porch
The Ascetic Imperative in Culture and Criticism
The Dark Gaze
Museum of Words
Sculpture
Making Theory/Constructing Art
Artistic License
Aesthetics in Grief and Mourning
Philosophies of Art and Beauty
The Substance of Shadow
Genre in Popular Music
The Objective Eye
Aesthetics and the Theory of Criticism
Writing Art History
Magical Nominalism
The Aesthetics of Meaning and Thought
Machiavelli on Liberty and Conflict
The Great Image Has No Form, or On the Nonobject through Painting
A Language of Its Own
The Nature Drawings of Peter Karklins
Theory of Form
The Presence of Myth
Postmodern Sophistications
Cherubino’s Leap
Tragedy
What Are Objects?
Wittgenstein and Modernism
Thinking With—Jean-Luc Nancy
Sound and Affect
Philosophy, Writing, and the Character of Thought
Imagination and Interpretation in Kant
A Significant Life
Poetic Interaction
Aesthetic Theory
Epistemologies of Aesthetics
Conserving Active Matter
Image Science
Novelty
Kamikaze Diaries
On the Animation of the Inorganic
In the Name of the Mother
Improvising Improvisation
The Philosophy of Improvisation
The Architect’s Dream
After the Beautiful
Filmed Thought
The Philosophical Hitchcock
Philosophy by Other Means
Robert Bresson
The Decision Between Us
The Logic of the Lure
Art and Truth after Plato
An Education in Judgment
What Philosophy Wants from Images
Two Thumbs Up
What Gardens Mean
Emblems of Mind
Crossings
Deconstruction and Philosophy
Transfigurements
Art Without Borders
The Nonsense of Kant and Lewis Carroll
Enemies of All Humankind
The Place of the Symbolic
Archaeologies of Vision
Good Music
The Invention of Art
New Television
Georg Simmel
Human Rights In Camera
Benjamin
Shock and Awe
An Unnatural Attitude
Real Presences
What Is What Was
The Open Studio
The Ruins Lesson
Inference and Representation
Fashion
Deconstruction in Context
The Picture in Question
Music and Capitalism
Music in the World
Idiocracy
Culture and the Course of Human Evolution
Being after Rousseau
Lyric Personhood
Musical Vitalities
The Discipline of Taste and Feeling
The Longing for Myth in Germany
The Rhythm of Thought
Big Culture
Culture and Value
Taste
Aesthetic Science
The Genesis of Kant’s Critique of Judgment
Classicism of the Twenties
Nymphs
Studiolo
Art in Mind
Rhythm
Prometheus Wired
Experimenting the Human
Native Land Talk
The National Uncanny
Is the Rectum a Grave?
The Imaginary and Its Worlds
A More Conservative Place
Mood and Trope
Confronting Totalitarian Minds
Other Things
Ghosts of the African Diaspora
A Defense of Judgment
Jokes
Serious Larks
Process and Aesthetics
Tristan’s Shadow
Patina
Aesthetics at Large
Sewn in the Sweatshops of Marx
Dissemination
Thinking Out of Sight
The Truth in Painting
Movements of Air
Shiny Things
The Origins of Cool in Postwar America
Like Andy Warhol
Deep Refrains
The Musician as Philosopher
Mindprints
Richard Wagner
Health and Illness
A Precarious Happiness
The Value of Critique
Architecture, Means and Ends
Shreds of Matter
The Porch
The Ascetic Imperative in Culture and Criticism
The Dark Gaze
Museum of Words
Sculpture
Making Theory/Constructing Art
Artistic License
Aesthetics in Grief and Mourning
Philosophies of Art and Beauty
The Substance of Shadow
Genre in Popular Music
The Objective Eye
Aesthetics and the Theory of Criticism
Writing Art History
Magical Nominalism
The Aesthetics of Meaning and Thought
Machiavelli on Liberty and Conflict
The Great Image Has No Form, or On the Nonobject through Painting
A Language of Its Own
The Nature Drawings of Peter Karklins
Theory of Form
The Presence of Myth
Postmodern Sophistications
Cherubino’s Leap
Tragedy
What Are Objects?
Wittgenstein and Modernism
Thinking With—Jean-Luc Nancy
Sound and Affect
Philosophy, Writing, and the Character of Thought
Imagination and Interpretation in Kant
A Significant Life
Poetic Interaction
Aesthetic Theory
Epistemologies of Aesthetics
Conserving Active Matter
Image Science
Novelty
Kamikaze Diaries
On the Animation of the Inorganic
In the Name of the Mother
Improvising Improvisation
The Philosophy of Improvisation
The Architect’s Dream
After the Beautiful
Filmed Thought
The Philosophical Hitchcock
Philosophy by Other Means
Robert Bresson
The Decision Between Us
The Logic of the Lure
Art and Truth after Plato
An Education in Judgment
What Philosophy Wants from Images
Two Thumbs Up
What Gardens Mean
Emblems of Mind
Crossings
Deconstruction and Philosophy
Transfigurements
Art Without Borders
The Nonsense of Kant and Lewis Carroll
Enemies of All Humankind
The Place of the Symbolic
Archaeologies of Vision
Good Music
The Invention of Art
New Television
Georg Simmel
Human Rights In Camera
Benjamin
Shock and Awe
An Unnatural Attitude
Real Presences
What Is What Was
The Open Studio
The Ruins Lesson
Inference and Representation
Fashion
Deconstruction in Context
The Picture in Question
Music and Capitalism
Music in the World
Idiocracy
Culture and the Course of Human Evolution
Being after Rousseau
Lyric Personhood
Musical Vitalities
The Discipline of Taste and Feeling
The Longing for Myth in Germany
The Rhythm of Thought
Big Culture
Culture and Value
Taste
Aesthetic Science
The Genesis of Kant’s Critique of Judgment
Classicism of the Twenties
Titles In Subject
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